When the Hero is NOT a HeroWhen the Hero is NOT a Hero by OokamiKasumi
Protagonist & Antagonist ~ A Different Definition
There are Three Essential Characters in Every Story. There may be any number of side characters, but in traditional Adventures, and Romances of every stripe the main conflict is usually, if not always, a triangle of complimentary opposites.
Translation: You could tell the WHOLE story with ONLY these Three Characters; perhaps not with any real detail, but you could still do the entire basic plotline. (Yes I know, I've said some of this before. Bear with me.)
Yep. I'm sure you're familiar with: Hero Villain Heroine (or Sidekick) already. Those are pretty darn standard. So, let's define them in a more Literary, (and complicated,) fashion shall we?
Antagonist - Protagonist - Ally
ALLY? Who the heck is That?
Always there, though seldom named
The Character ArcThe Character Arc by OokamiKasumi
The CHARACTER ARC
PLOT ARC: The events that happen while the characters make other plans.
CHARACTER ARC: The emotional roller-coaster that the character suffers while dealing with the Plot.
To make a story a cohesive whole, every single thing in it must be there for a reason. Every single character, object, location, and event must push toward the ending you have planned even if it doesn't look that way to the casual observer. In short, every scene in the story should either illustrate a characteristic attribute of a main Character or be an Event that makes your ending happen.
What the Character Arc does is map out the Emotional path your characters need to take to grow and change into the heroes and heroines your story needs to achieve your story's ending.
For the record, a Character Arc can be used all by itself as th
Yaoi Writers: Are your Male Characters MASCULINE?Yaoi Writers: Are your Male Characters MASCULINE? by OokamiKasumi
Is your favorite Yaoi character
YOU as a guy -- only BETTER?
Are you committing a MARY-SUE/Gary Stu?
According to Aestheticism.com:
"The Mary Sue ... is the highest form of fannish devotion to a series. You like it so much you want to come play in it yourself. Most fan writers are content to do this by sneaking in under cover of one of the canon characters.
Slipping on my Hakkai mask, I jump in the jeep and set out for the west with Sanzou and the guyz, pretending all along that it's Hakkai telling the story I'm writing and not me at all..."
Except for one BIG problem...
-- Hakkai is a Guy, and he's showing Female Behavior -- not Male.
A common error that every beginning Female writer makes is that they assume that their male character will feel and react in the
5 Ways to Get Fantasy WrongYes, you're writing a fantasy story. Yes, that means many of the normal "rules" of reality are suspended. It doesn't mean you can just write whatever you like and expect your readers to swallow it. The existence of dragons they'll probably accept. Moscow being the capital of France they probably won't.5 Ways to Get Fantasy Wrong by MetalMagpie
The key to "selling" weird, fantasy stuff to your reader (like dragons and half-elves) is making the world at large believable. This means getting the simple things right. So on that note:
1. Factual Errors
There are things in the wide-world of fiction that are fantasy elements; things like dragons, unicorns, and women who find beards sexy. There are other things in the wide-world of fiction that are factual elements; things like the speed of an average horse, the boiling point of water, and the observation that iron rusts.
Clearly, these are not two distinct categories that can have a line neatly drawn between them. You may have creat